Performance Art of India Dance

Performance Art of India Dance

India has a very rich culture of dance and music, Traditional, classical, folk and Tribal dances style. These Incredible traditional dances of India are originated during the ancient times and considered the mother art of classical dances. The Classical Dances of India includes Bharatanatyam, the oldest form of the classical dance in the country and one of the Most Popular Classical Dance in India and ancient in Natya Shastra 
   The text consist of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts.The subjects covered by the treatise include dramatic composition,structure of a play and the construction of a stage to host it, genres of acting ,body movements,make up and costumes,role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance.


  • Bharatanatyam - Tamil Nadu
  • Kathak - Uttar Pradesh 
  • Kathakali- Kerala 
  • Kuchipudi - Andhra Pradesh
  • Manipuri - Manipur
  • Odissi - Orissa
  • Sattriya - Assam
  • Mohiniyattam - Kerala 
  • The Gaudiya Nritya - West Bengal
  • Ottamthullal - Kerala
  • Oppana - Kerala 
  • Margamkali - Kerala 
  • Thiruvathirakali - Kerala 
  • Kavadi Attam - Tamil Nadu
  • Kummi - Tamil Nadu
  • Karagattam - Tamil Nadu
  • Pinnal kolattam - Tamil Nadu
  • Dollu Kunitha - Karnatak
  • Chari - Rajasthan
  • Ghoomar - Rajasthan
  • Kachchhi Ghodi - Rajasthan
  • Kalbelia - Rajasthan
  • Bhavai - Rajasthan
  • Dandiya - Gujarat
  • Garba Raas - Gujarat
  • Mathuri - Andhra Pradesh
  • Siddhi Dhamal - Gujarat
  • Dhangari Gaja - Maharashtra 
  • Lavani - Maharashtra
  • Theyyam - Kerala        




Bharatanatyam originated in southern India in the state of Tamilnadu. It started as a temple dance tradition called Dasiyattam (the dance of the maid-servants) 2000 years ago and is perhaps the most advanced and evolved dance form of all the classical Indian dance forms.





Kathak is one of the eight forms of Indian classical dance. This dance form traces its origins to the nomadic bards of ancient northern India, known as Kathakars or storytellers. Its form today contains traces of temple and ritual dances, and the influence of the bhakti movement.




"KATHAKALI - KERALA"

Kathakali is a stylized classical Indian dance-drama noted for the attractive make-up of characters,  elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion.

Different type of Kathakali




"KUCHIPUDI - ANDHRA PRADESH"

Kuchipudi is an Indian classical dance originating in Krishna district of Andhra Pradesh, India, but popular all over South India. According to legend, an orphan named Siddhendra Yogi founded theKuchipudi dance-drama tradition.




"MANIPURI - MANIPUR"

Manipuri dance covers a number of different dances from Manipur, a state in the northeast corner of India. The main dance types are the Laiharoaba, the Samkirtana, and the Rasalila. The classical style of dances is described as being the most graceful of all the classical Indian dances.




"ODISSI - ODISSA"
Odissi is one of the eight classical dance forms of India. It originates from the state of Odisha, in eastern India. It is the oldest surviving dance form of India on the basis of archaeological evidences




"SATTRIYA - ASSAM"

Sattriya is one among the eight principal classical Indian dancetraditions. Recognized in 2000 as a classical dance by Sangeet Natak Akademi, the Sattriya is the most recent entrant in this list.




"MOHINIYATTAM - KERALA"

Mohiniyattam, also spelled Mohiniattam (Malayalam: മോഹിനിയാട്ടം), is a classical dance form from Kerala, India. Believed to have originated in 16th century CE, it is one of the eight Indian classical dance forms recognized by the Sangeet Natak Akademi.




"GAUDIYA NRITYA - WEST BENGAL"

It has been reconstructed by Mahua Mukherjee. It is not recognised as anIndian classical dance by the Sangeet Natak Akademi, but study of it is eligible for scholarships from the Ministry of Culture of India.Scholarly reception of the reconstruction ranges from caution to scepticism.




"OTTAMTHULLAL - KERALA"

Malayalam: (ഓട്ടൻ തുള്ളല്‍) is a dance and poetic performance form of Kerala, India. It was introduced in the 18th century byKunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalamlanguage poets). It is accompanied by amridangam (a barrel shaped double headed drum) or an idakka (drum and cymbal).




"OPPANA - KERALA"

Oppana is a popular form of social entertainment among the Mappila (Kerala Muslims) community of Kerala, South India, prevalent all over Kerala, especially in Malappuram.The Malayalam word 'Oppana Pattu' is the derivation of the Tamil word 'Oppanai Pattu'. In Tamil, up 'Oppanai' means make. Oppana was originated on the occasion of make of Muslim brides.Oppana is extinct in Tamil Nadu. But in Kerala, this art form revived has been with much popularity on the performing stages of the Youth Festivals of the student community.




"THIRUVATHIRAKALI - KERALA"

Thiruvathirakali is a very popular group dance of Kerala. Thiruvathirakali is performed by the women of Hindu community, often during festive seasons like Onam and the Thiruvathira day in the Malayalam month of Dhanu (December- January). Performed by maids in order to attain everlasting marital bliss, Thiruvathirakali is a simple and gentle dance with the lasya element or the amorous predominating charm. The dance is performed around a nilavilakku (a ceremonial lamp) or a floral decoration especially during Onam. The dancers move in a circular pattern, accompanied by rhythmic clapping of the hands, to the tune of the Thiruvathira pattu. One of the performers sings the first line of the Thiruvathira pattu (song) while the rest repeat it in chorus. The songs are often narrations from the folk epics. . Today, Thiruvathirakali has become a popular dance form for all seasons and also a popular stage item.



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"MARGAMKALI - KERALA"

Margamkali (Malayalam: മാർഗ്ഗംകളി) is a group dance of Kerala practiced by Jewish Christians who trace their origins to the evangelistic activity of Thomas the Apostle among Jews and natives in the 1st century.




"KAVADI ATTAM -TAMIL NADU"

Kavadi Attam (Tamil: காவடி ஆட்டம்) ( "Burden Dance") is a ceremonial sacrifice and offering practiced by devotees during the worship of Lord Murugan, the Hindu God of War.




"KUMMI - TAMIL NADU"

Kummi is one of the most important and ancient forms of village dances of Tamil Nadu. It originated when there were no musical instruments, with the participants clapping their hands to keep time. This is performed by women; many varieties of Kummi, such as, Poonthatti Kummi, Deepa Kummi, Kulavai Kummi, Kadir Kummi, Mulaipari Kummi, etc. are known. The women stand in a circle and dance clapping their hands rhythmically. One of the women leads the singing with a favourite song while the rest take up the refrain. Each performer renders a new line in turn and the dancing stops when all get tired. This dance is usually performed during temple festivals, Pongal, the harvest festival, family functions like the one to celebrate the coming of age (onset of puberty) of the girl-child.




"KARAGATTAM - TAMIL NADU"

is an ancient folk dance of Tamil Nadu performed in praise of the rain goddess Mariamman.The performers balance a pot on their head. Traditionally, with this dance is categorized into two types- Aatta Karakam is danced decorated pots on the head and symbolizes joy and happiness. It is mainly performed to entertain the audience. The Sakthi Karakam is performed only in temples as a spiritual offering.




"PINNAL KOLATTAM - TAMIL NADU"

Kolattam is an ancient folk dance performed by women in a group during the harvesting season. The prop used in this dance are sticks that are held in each hand and struck on the sticks of other girls in the group. The rhythmic sound produced by the striking of the sticks is the beat on which the dance is performed.The Tamil traditional dance Pinnal Kolattam is similar in genre to the Kolattam and is also performed by women in a group during the harvesting season. The prop used in Pinnal Kolattam is the rope instead of sticks as in Kolattam.




"DOLLU KUNITHA - KARNATAKA"

Dollu Kunitha (dance), is a major popular drum dance of Karnataka. Accompanied by singing, it provides spectacular variety and complexity of skills. Woven around the presiding deity of Beereshwara orBeeralingeswara, chiefly worshipped by theKuruba Gowdas of Karnataka and also called Halumathasthas, it presents both entertainment and spiritual edification.



"CHARI - RAJASTHAN"

Chari Dance is a folk dance in the Indian state of Rajasthan.Chari dance is a female group dance. It is related to Ajmer and Kishangarh.Chari dance is prominent in Gujjar and Sainicommunity of Kishangarh and Ajmer and known all over Rajasthan. The Chari dance is performed at marriage celebrations, on the birth of a male child and at celebrations and festivals of goodness.



"GHOOMAR - RAJASTHAN"

This folk dance gets its name from 'ghoomna', the pirouetting which displays the spectacular colors of the flowing 'ghaghara', the long skirt of the Rajasthani women. There is an amazing grace as the skirts flair slowly while the women twirl in circles, covered their faces with the help of veils. They use measured steps and various graceful inclinations of the body, beating palms or snapping lilting singing while fingers at particular cadences songs. Mostly Goddess Saraswati is worshiped during this dance. This dance is usually done in a circle.




"KACHIHHI GHODI - RAJASTHAN"

Kachchhi Ghodi dance also spelled as Kachhi Ghodi and Kachhi Gori, is an Indian folk dance that originates from the Shekhawati region of Rajasthan. It has since been adopted and performed throughout the rest of the country. Dancers wear novelty horse costumes and participate in mock fights while a singer narrates folk tales about local bandits. It is commonly to performed during wedding ceremonies welcome and entertain the bridegroom's party, and during other settings social. It is also performed as a profession by some.



"KALBELIA - RAJASTHAN"

Kalbelia or Kabeliya is one of the most sensuous dance forms of Rajasthan, performed by a tribe of the same name.They are famous for their dance which is an integral part of their culture. Both men and women in the tribe participate in this activity to celebrate joyful occasions.



"BHAVAI - RAJASTHAN"

Bhavai is a genre of folk dance popular inRajasthan state in western India. The male or female performers balance a number of earthen pots or brass pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass, on the edge of the sword or on the rim of a brass thali (plate) during the performance.




"DANDIYA RAAS - GUJARAT"

Raas or Dandiya Raas is the traditional folk dance form of Gujarat, India, and is associated with scenes of Holi, and lila ofKrishna and Radha at Vrindavan. Along withGarba, it is the featured dance of Navratrievenings in Western India. During Navratrifestival, in most of the cities of Gujarat people gather and perform Garba dance - an event that is becoming increasingly popular in countries with large Gujarati-speaking communities around the world, such as Canada, the United States and the United Kingdom.




"GARBA RASS - GUJARAT"

Garba is a form of dancewhich was originated in the state of Gujarat in India. The name is derived from the Sanskritterm Garbha and Deep. Many performed are traditional garbas around a centrally lit lamp or a picture or statue of the Goddess Shakti. The circular and spiral figures of Garba have similarities to other spiritual dances, such as those of Sufi culture. Traditionally, it is performed during the nine-day Hindu festival Navarātrī Either the lamp (the Garba Deep) or an image of the Goddess, Durga (also calledAmba) is placed in the middle of concentric rings as an object of veneration.




"MATHURI - ANDHRA PRADESH"

The Mathuri dance is a folk dance form of the tribes residing in the Umji and Intraveli forests which are located in the Adilabad district of the state of Andhra Pradesh in the South India. This particular tribe which practices this form of dance is also well-known as the "Koppu Lambadis". This name is given to them for their head gear that they flaunt characteristic. This is one of the very old and famous forms of folk dance in the state of Andhra Pradesh which is a culturally rich and diversified state



"SIDDHI DHAMAL - GUJARAT"

Earlier this dance was limited to the tribals and the locals of Gujarat. Today Dhamal is known at the international level and this is due to the cultural exchange programs. Bharoch belongs to Gujarat region and here Siddi community is very active. Originally they belong to Africa from where along their ancestors came with Portuguese and scattered every where. In Gujarat they settle in Junagarh, Surendernagar, Jagrabad etc. People belonging to this community have preserved their African culture and traditions alive. This can be very clearly seen in this dance.



"DHANGARI GAJA- MAHARASHTRA "

 Dhangars of Sholapur district of Maharashtra herd to green pastures for grazing for their cattle, acquainted they become with the nature. Inspired by the scenic beauty, writing they compose poetry, called ovi about the nature and their God Biruba.




"LAVANI - MAHARASHTRA"

Lavani is a genre of music popular in Maharashtra.Lavani is a combination of traditional song and dance, which particularly performed to the beats of Dholki, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre.In Maharashtra and southern Madhya Pradesh and North Karnataka, it is performed by the female performers wearing nine-yard long saris. The songs are sung in a quick tempo.







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